Grace Davies presents her coming-of-age album filled with emotional truth and orchestral pop.
For Grace Davies, The Wrong Side of 25 is more than an album — it’s a declaration of creative freedom. A classically trained musician, skilled producer, and vocalist, Davies brings everything she’s learned into this deeply vulnerable 15-track collection.
Starting with the gripping instrumental “Welcome to the Wrong Side,” the album spirals into the heart of her lived experience — particularly in the reflective “Youngest That I’ll Ever Be,” where she writes “I tell myself I’m out of time, I’m scared I’ve crossed the finish line…”
“Hotel Delilah,” the most colorful of the tracks, features playful sexual metaphors, layered orchestration, and a throwback to ‘70s flair — underscoring her ability to write both seriously and whimsically.
There’s no facade here. Just an artist presenting the complicated truth of being 28 in an industry that prizes youth. Her work — much of it co-produced with Paul Whalley — bridges pop sensibility with emotional introspection.
With The Wrong Side of 25, Grace Davies leaves no doubt: artistry doesn’t expire. It deepens.
